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Albums

August 3, 2010

Alexx Calise – In Avanti Album Review

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Alexx_Calise_In_Avanti_Album_Cover

 

I have to start this review off with a brief apology.  I received a copy of this album months ago and was asked if I would review it and I said yes (BTW you too can submit things or get in touch about having something reviewed on the site by clicking the Contact tab at the top of the page).  But then I promptly got busy doing a million other things, followed by much forgetting that this was sitting in my “to do” folder.  I had given it a brief listen but I didn’t want to review anything before giving it a proper listen and it just so happened that didn’t happen until recently.  So my apologies to Ms. Calise and her people.  Anyway let’s get on with it…

In Avanti is the second album from singer/songwriter Alexx Calise, following 2007′s Morning Pill.  On it Alexx rocks her way through 9 tracks, blending elements of pop and electronica in.  Let’s go song by song from the beginning:

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Albums

July 15, 2010

Semi Precious Weapons – You Love You Album Review

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You Love You is the latest record from New York based band Semi Precious Weapons, who have gained an international rep – and a little bit of notoriety, perhaps, in their role opening for Lady Gaga on her Monster Ball tour. But before regular Media Decay readers start to get perturbed by this sudden influx of pop review-age, do not despair, because Semi Precious Weapons are definitely rooted in the rock world, even if their work is infused with an element of self-proclaimed ‘trash glaMOUR’ (capitalisation courtesy of them, not me). SPW are, ultimately, catchy pop punk goodness, who know how to get a crowd going. It’s kind of all about the frontman, Justin Tranter, evident from the word go, if you examine at the cover of You Love You where all the other band members are wearing Justin masks. But if you had to pick a dude to focus on and pull yourselves from underground pop punk obscurity, the one in fishnets and sky-high spangled stiletto boots would be the one you’d go for, surely?

(I know I would.)

Anyway, the album! Onwards!

The first track, Semi Precious Weapons, is pretty representative of the band as a whole, and their live performance. The instrumentation’s fairly standard pop-punky, nothing that’ll knock you for six (my obligatory Commonwealth idiom for this post, sorry), with a guitar solo thrown in for good measure, but it’s a great track to rock along to, buoyed by Justin Tranter’s vocals and lyrics, in particular the  SPW catchphrase of choice ‘I can’t pay my rent but I’m f**king gorgeous’.

Put A Diamond In It is a track you can envisage rocking along to at a show, with a repetitive and singable chorus, and command of ‘DANCE’ halfway through. This is SPW fancying themselves as rock gods – ‘who, who, who wants my baby? you, you, you want my baby.’ – something some of their die hard fans (‘weapons’, to Gaga’s ‘monsters’) surely hold to be true.

Magnetic Baby comes in third on the album, and will be familiar to longer time fans of the band as the second track on their first (now out of print) album We Love You (actually, three tracks from We Love You can be heard on You Love You in slightly different incarnations – Magnetic Baby, the aforementioned Semi Precious Weapons, and Rock N’ Roll Never Looked So Beautiful). And as a song that’s been part of the band’s repertoire for a little longer, it also has that raw rock’n'roll feeling that the first two tracks possess.

Statues Of Ourselves is perhaps my favourite on the album. It’s slower – though hardly a ballad – and the chorus definitely has an earworm quality to it. Lyrically, it has a little more to it than other tracks which are all about the quintessential glam rock lifestyle that they profess to live, it’s a little more… creative. For lack of a better term.

Sticky With Champagne was the song I personally had stuck in my mind after the show. Maybe because Justin sprayed the crowd with champagne during the set? Maybe because it’s almost painfully working to the whole trash glamour image? Either way, it’s catchy, like, it seems, half the tracks on the record are. And it’s kind of a great image. If you’re going to be sticky, champagne’s a good way to go, surely?

I Could Die is another shouty, jump-aroundy, feel-good-timey kind of almost-punk song that is decent, to be sure, but nothing unique on this record.

Leave Your Pretty To Me starts off with organ-tinged synths, which is a departure from the rest of the album. It’s slower, sadder, and it has strings! It’s still something you can bop along to, not entirely genre-bending, but it’s a pleasant surprise  as you track through the sparkles and beer splashes of the rest of the record. One of the top tracks on the album.

Rock N’ Roll Never Looked So Beautiful has guitar solos to please most rock buffs, and some decent drumming to boot. It’s the first point in the album where, on my first listen, I was aware of the instrumentals above and beyond the vocals at some moments. That’s not to say that this is necessarily lyrically lacking compared to other tracks – ‘Sometimes I dream so big my life just seems so boring’ certainly isn’t… genius, but it’s relatable, and off-set by the likes of ‘sometimes I cry to make my eyes look bluer’.

And the album wraps up with Look At Me – channelling the same sort of spirit as Leave Your Pretty To Me, in terms of being slower and more mellow, but even further stripped down to guitar, a little high-hat and some piano. It’s an odd note to end on, in some ways, being so different from the vast majority of their work on the record, but it’s also a rather lovely song, so no complaints here.

I don’t know that SPW are a band I would have necessarily gotten into without being guided to them by the Gaga live show (I make no apologies for my Gaga-love, indie cred be damned), but they were fun to listen to and experience live, and their studio work continues proves them to be a pretty nifty musical extraction from New York’s teeming musical scene. Definitely worth giving a listen.

Albums

June 8, 2010

Christina Aguilera – Bionic Album Review

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christina-aguilera-bionic

 

Bionic is the latest album from pop star Christina Aguilera.  It’s the first we’ve heard from her in a while and features some headscratching team ups.  Now if you’re a regular visitor to the site you know we tend towards the rock side of things musically, but there’s always time for some sugary pop in there.  I’ve always liked Christina Aguilera, mainly it started as being insanely attracted to her, but then her music really caught my ear.  With this album she’s gone all out doing what she wants and trying to separate herself from the pack a bit.  To be honest though I would not have checked this out if it weren’t for her teaming up with one of my all time favorite groups, Le Tigre.  We’ll talk about that more later but let’s get down to the album itself.

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Concerts

June 3, 2010

Great Concerts – Sleater Kinney at the 9:30 Club Washington D.C. 8-3-06

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Sleater-Kinney play Roseland Ballroom in NYC for the last time

 

Welcome to another edition of Great Concerts on Media Decay.  This is the first one in the series that I did not actually attend personally, but like the others we’ll still provide you with enough detail to make you feel like you were there.  Two things to get out of the way first: The pictures in this article are from the show the night before this one at Roseland Ballroom in NYC (which I did attend) and the audio is taken from a live stream provided by NPR and their excellent All Songs Considered series (Carrie Brownstein now blogs for NPR).

The year was 2006.  Sleater-Kinney had been touring the world behind arguably the greatest album of 2005, let alone their career, The Woods(Sleater-Kinney - The Woods).  Suddenly without warning one day a small message appeared on their website thanking fans for 11 amazing years and announcing they would be taking an indefinite break, choosing to go out on top and each pursue other things they had interest in.  This was horrible news for Sleater-Kinney fans.  They really were at the top of not only their game, but rock n’ roll in general.  Despite never really achieving mainstream popularity they had an enormous and very dedicated fan base that came from all over the world, from fans of their feminist lyrics to fans that had gotten turned onto them by Pearl Jam for their genuine ability to rock harder than most of the boys.  But they announced they’d be playing a few favorite places including a stop at Lollapalooza before ending the band with 2 nights in their hometown of Portland.  2 of these shows of this mini-tour were Washington D. C. and New York.

 

Janet Weiss Plays Roseland in NYC for the last time with Sleater-Kinney

Janet Weiss rules over the drumset.

Unfortunately the east coast was hit with a crazy heat wave the week they were to play.  Originally they were scheduled to play at the 9:30 club on August 1st.  The show was shut down by fire marshalls because of some sort of issue with the heat and a fire hazard.  Obviously people were very upset, this being their last chance to see the band.  But luckily the issue wasn’t that big and the club fixed it and re-scheduled the show for August 3rd.  In between Sleater-Kinney rocked Roseland Ballroom in NYC and slayed the place.  I would be writing about that show here but the better audio for you guys comes from DC.  Anyway after a very sweat filled show they returned to make good on their promise to the crowd at the 9:30 Club.  In the blistering heat Carrie, Corin, and Janet played their final east coast show ever.  And the wonderful NPR sent the show out live all over the world.

 

Corin Tucker Plays Roseland in NYC for the last time with Sleater-Kinney

Say I've gone too far with the image of Corin

For their part Sleater-Kinney showed why they were the best and settled any doubts anyone would ever have about this band.  They started off with the wonderful One Beat then after thanking everyone for returning and the club and their crew they went into Not What You Want.  They’d only just hit the stage but they were on fire.

Their 3rd song was Wilderness off The Woods, showing just how this very different sounding album actually fit in incredibly well with their back catalogue.  But this wasn’t about The Woods.  This show would span their entire career and the band and the crowd would give everything they had.  After all after this was the end of the world, or at least an argument can be made that it felt like it.  Between the heat, the band’s final performance on the east coast, a perfect set the night before, and these fans that had not had enough this was the end of the world.

Some highlights are #1 Must Have which had a false start and was dedicated to someone in the front with a “This one’s for you honey”.  In one of my favorite songs of their catalog they lament about a variety of feminist issues, focusing on the music world in particular.

 

I’ve been crawling up so long on your
stairway to heaven
And now i no longer believe that i wanna get in

 

Steep Air which came right after demonstrated some incredible vocals over a bluesy guitar that still managed to rock.  But that just built up to Rollercoaster with it’s refrain of

 

Rollercoaster wanna go back on the tilt-a-whirl

 

Another highlight, both of the band’s catalog and the show, was the blissful Night Light.  The song starts with a basic solo drum beat that’s all trademark Janet and then a heartbreakingly beautiful guitar comes into it.  Towards the end of the set the girls really show their stuff with the 1-2 punch of Let’s Call It Love into the brash Entertain.  It’s played in a jam band style so the 2 become one almost 17 minute masterpiece of drums and guitar.  You’re reminded of the band’s most famous t-shirt which reads “Show Me Your Riffs”, taking a pot shot at the mysogynists of the world and becoming a battle cry for female rockers the world over.  All that matters at the end of the day is how good you are, not what you’ve got below your waist.  This particular pairing and the jam style reminds you of Sleater-Kinney’s extensive touring with Pearl Jam and the incredible respect that band showed for them (Matt Cameron would often guest on One Beat and at the end of PJ show’s the two bands would often jam on covers, most memorably Corin did Chris Cornell’s part of Hunger Strike in Mexico).  Entertain manages to be a fuck you to all the hacks and hipsters not doing anything, especially in this formation.

 

After the very different Little Babies, the band leaves the stage and Bob Boylan from NPR comes back into our ears talking about how incredible the show was.  But of course we’re not done yet.  The band comes back out and heads into Ironclad, but not before Carrie jokes about taking the audience home with her.  After Janet breaks her snare Carrie and Corin do a rare version of Buy Her Candy that kills before Janet is ready to go and they head into the high energy Turn It On, Dance Song ’97, and Words & Guitar.  Then they’re gone.

 

But the crowd isn’t letting go that easily.  Bob is back and his Second Encore Narration to this day brings tears to my eyes.  This same thing happened the night before as well.  The crowd was so incredibly loud and just refused to leave.  This was the last time they’d ever get to see this great band and they weren’t going without a fight.  Bob tells us of the house lights going up and the crowd refusing to move.  You can hear the screaming and applause and just feel the love, even on a recording.  The house music goes on, the crowd keeps clapping.  Major credit goes to NPR for not only re-scheduling this program around the show but for keeping on the air the whole time where other stations would have not only edited the content but definitely not kept rolling.  Bob talks about “how not one person has left”.  The crowd keeps getting louder.  Finally Sleater-Kinney comes out once more.

 

What a great crowd, what a set, and what a band.  Eleven great years of music.

 

After a humble “thank you” and some tuning they head into a personal favorite song the incredibly beautiful and heart tearing Sympathy, a true story about Corin almost miscarrying.  This song contains one of my favorite lyrics of any song ever:

 

We’re all equal in the face of what we’re most afraid of.

 

They go right from the super sad yet incredibly groovable Sympathy into Dig Me Out a song filled with energy and angst and uncomfortableness.  And that’s it.  It’s over.  A 2 encore show that very simply summed up why this band deserves to be remembered amonst the ranks of rock’s best forever.

 

Carrie Brownstein Plays Roseland in NYC for the last time with Sleater-Kinney
Thank You

 

Oh hey you wanna hear the whole concert?  In high quality soundboard audio as broadcast?  Oh OK, that’s right here.

 

Setlist

  • Intro
  • One Beat
  • Not What You Want
  • Wilderness
  • The Fox
  • Jumpers
  • #1 Must Have
  • Steep Air
  • Rollercoaster
  • Burn, Don’t Freeze
  • Night Light
  • The End Of You
  • What’s Mine Is Yours
  • Modern Girl
  • Let’s Call It Love into Entertain
  • Little Babies
  • First Encore Narration
  • Ironclad
  • Get Up
  • Buy Her Candy
  • Turn It On
  • Dance Song ’97
  • Words and Guitar
  • Second Encore Narration
  • Sympathy into Dig Me Out
  • End Narration and Credits

 

Concerts

May 22, 2010

Pearl Jam at Madison Square Garden May 21, 2010

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Pearl Jam at Madison Square Garden May 21, 2010

 

Wow, so tonight was the last show of Media Decay’s Pearl Jam week, and also the last show of this leg of Pearl Jam’s tour.  It was the second night at New York’s famous Madison Square Garden, and revered home of some legendary Pearl Jam performances.  This show in particular sold out incredibly fast and tickets were almost impossible to get.  Everyone wanted to be there.  Everyone was hoping for something spectacular.  And the band delivered.  They not only delivered a super energetic 2 hour 40 minute set, but they delivered a crazy setlist and even a “new” song (more on that a little later).  Perhaps the best part was that thanks to my fan club membership and a worked out trade with another fan club member, I found myself sitting in the 11th row center for this amazing show.

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Concerts

May 21, 2010

Pearl Jam at Madison Square Garden May 20, 2010

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Pearl Jam Ticket Madison Square Garden May 20, 2010

 

I’ve just returned home from the second show of Media Decay’s Pearl Jam week.  Tonight was the first of a 2 night run at Madison Square Garden.  Pearl Jam has played some legendary shows at the Garden and is best known for the show they eventually wound up releasing as a dvd(note please buy it through that link and get an awesome show and help support us bringing you features like these).  It’s like their second home and people fly in from around the world to see them play there.  As such not only are both shows sold out, but the fan club tickets were nearly impossible to get.  The server crashed before they even actually went onsale.  But I managed to get them and as such found myself sitting dead center on the floor of Madison Square Garden.

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Concerts

May 19, 2010

Pearl Jam at the Prudential Center Newark, NJ May 18, 2010

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Pearl Jam limited edition Newark t-shirt

 

Well it’s the first show of Pearl Jam week here at Media Decay and we’re kicking it off in Newark, NJ.  This was a sort of last minute show.  It was announced after the rest of the tour and went on sale several weeks after the rest of the tour as well.  Eddie Vedder mentioned at one point that this show almost didn’t happen but they were glad it did.  Anyway there was some trepidation going into this show.  Last night in Boston the band put on an incredible show (and also had incredible one off t-shirts made to look like Red Sox shirts, Newark got the shirt above, hopefully they’ll pull out something awesome for NYC) so a lot of the hardcores were worried this show wouldn’t be as great.  We’ll I wasn’t at the Boston show so I can’t speak to anything but the setlist, but the band certainly didn’t let it show they’d just done an epic show the night before.

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Music

May 2, 2010

Summer Jams Part 1 – Le Tigre

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So this is a new feature here on Media Decay.  There’s so much wonderful music that’s just perfect for the summer to turn up loud and rock out to and that’s what the goal here is.  We’re gonna expose you to some great mixes of awesome summer music.

 

The first installment focuses solely on one artist, and the reason is that I feel like they’re the ultimate summer listening band.  That band is of course Le Tigre.  They pack so much into their songs.  They’re political, but also incredibly danceable with cheery music backing some very serious lyrics.  I tried to keep it to the less serious tracks here but still threw a few in.  You can scream these words out while blaring these tracks with the sun high above your head and it makes things feel right in the world for a little while.  So here we go:

 

First off iTunes wouldn’t take the whole mix for some reason, so the first 3 songs are available here.  The rest of the mix is on iTunesicon.

Tracklisting

  1. Get Off The Internet
  2. Bang! Bang!
  3. Mediocrity Rules
  4. Deceptacon
  5. My My Metrocard
  6. On The Verge
  7. FYR
  8. Keep On Livin’
  9. Let’s Run
  10. After Dark
  11. This Island
  12. I’m So Excited

So go and download it and enjoy rocking out.

Concerts

April 28, 2010

Hole at Terminal 5 NYC April 27, 2010

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Hole/Courtney Love at Terminal 5 in NY April 27, 2010
Courtney always knows where the cameras are

 

I have never had such mixed feelings over a concert in my life so this review might be a little all over the place. Please forgive it. I’m going to break it down into categories later. But let’s start with everything leading up to the show.

 

I am a crazy Courtney Love fan and have been a huge Hole fan since 1994 when I first heard them. I finally got to see them on their final tour in 1999 and it was one of the greatest experiences of my life (you can read my writeup of that show and get the entire show’s audio here). So clearly I was crazy excited about this show, even though I do not consider this current band to be Hole.

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Albums

April 21, 2010

Melissa Auf Der Maur – Out Of Our Minds Album Review

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Out Of Our Minds Album Cover

 

Out of Our Minds is the album part of Melissa Auf Der Maur’s multimedia extravaganza of the same name.  It consists of an album, a short film, comics, and more.  I’ll be reviewing the DVD portion soon, but for now this review is just the album.

 

This is MAdM’s 2nd solo album, her being most famous for being bassist for Hole and for a short time The Smashing Pumpkins.  While Courtney Love is releasing her latest album, Melissa has her beat this time.  I was a fan of MAdM’s first solo album, but it wasn’t the greatest thing ever.  Her live show is incredible and she’s a wonderful person offstage as well.  Continue past the break for previews of the songs and a video:

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